SON’VARACHIM SUNGTTAM:
XEM’BOR RUPIANCHO TIATR!
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Jose Salvador Fernandes
Tea disachea poilea bhagant, Moddganvam
kam’ begin zalem. Monant mhonnlem, Ravindra Bhovona koddchean ek pasoy marun
yeum-ia. Paskanchea nimitan, tiatrancho
novo kall suru zauncho asa. Mellta zalear, don-chear tiatrancheo tiketti
poilinch kaddun dovrum-ia. Ravindra Bhovonaxim pavtanch, ixttak fon kelo -
“Moddganv Ravindra Bhovonaxim asam. Novea tiatrancheo tiketti kaddunk toyaren
asam. Tuka-i kaddtam, yetolo mum?”
“Pãy poddtam. Fuddarak, mhaka soddun anik
konnak-ui tiatracheo tiketti kadd! Mhaka mat kaddum naka.” Ixttacho tallo chike
ragacho koso laglo.
“Kiteak? Tikett xem’bor rupia kelea
dekun? Tachi tuka kiteak dasti? Tikett hanv kaddtam nhoi?” Ekach vangdda hanvem
tache mukhar tin prosn manddlole, tantuntlea ekachi tori to mhaka zap ditolo ti
sarki aikunk yeunchi mhonn, hanvem fonacho ‘volume’ vaddoylo.
“Prosn xem’bor rupia tikett kela to
nhoi. Hotelant gele zalear ami khaunk-piyeunk xem’boriam voir moddtanv...”
“... ani dhados zaun bhair sortanv,”
tachem sangnnem sompche poilinch hanvem mhojem zoddlem.
“Hoi, hotelantlean dhados zaun bhair
sortanv, punn tiatr polletoch mat monan dhadoxi asonanv!” Ixtt anik-ui
gombhirtayen uloylo.
“Mhonnche?” Gaddiechem chalu aslolem
injin bond korun hanvem umollxiken vicharlem.
“Tiatramni atam vhoddlemxem ani boremxem
oxem kitench dakoynant oxea motacher hanv pavlam.”
“Zalear, tiatr pollevpache dis bhorle
tuje. Atam kitem-i ani kitlem-i borem tiatrantlean dakoylem mhonn tuka avoddchem
nam.” Hanvem tachea monacho sumar kaddcho proyotn kelo.
“Kiteak avoddchem nam? Tiatramni sabar
vixoyancher gaylolim kantaram mhaka avoddtat,” ixttan vell ogddaynastanam
sanglem.
“ Zalear tiatracheo kotha-vostu (plots)
tuka kiteak avoddonant tor?” Hanvem tache monache bãynt anik-ui khol vecho yotn kelo.
“Tiatrantlea bara gitanche bara vixoy
astat mhonn, bara tiatrantlea nov tiatranche tori vixoy nov bhasanche astole
mhonn koslich khatri asonam. Fattlim
sabar vorsam choddan chodd tiatrancho
vixoy fokot ghorabo... ghorabeantlim
zhogddim... mog.... mog kornnaranchim
zhogddim.... tancho fuddar.... ghat korta takach ghat korop... hem sogllem ekech bhaxen porot-porot
dakoylolem polleun, atam tiatrank vochun disonam! Adlea tiatristanche tiatr
polleun monak ji dhadoskay bhogtali toxi atam bhagonam!” Ixtt monantlem sangun
mekllo zalo. Punn taka titleacheruch soddunk mhaka khuxi nasli. Dekun hanvem
taka mhonnlem –
“Tiatr borovpianchem mhonn kitem asa tem
zannam-i tum? Tanchea monant zo vixoy yeta, tea vixoyak te tiatrachem rup ditat
ani machier dakoytat. Tantum tankam kiteak bottam dakovp?”
“Tujea-i monant borem yeta am... Soglleach
tiatr borovpianchea monant ghunvun-firun toch-toch vixoy ailo zalear, tiatr
pollevpiank tantum koslem noveponn distolem? Aple koxttanche duddu khorchun tiatr
polleunk yeun, tanche kolek urba ani ut’tejon ditolea tiatr pollevpianchea
monancho-i tannim vichar korunk zai oxem disonam tuka? They can’t take us the audience for granted. We know the value of our
money. ” Ixttan machier yevpi tiatr kola-kruticher matso tori veglle toren
vichar kela mhonn mhaka disunk laglem.
“Itlo kall tannim tiatr pollevpianchea
monancho vichar korunk nam mhonn az meren tiatr jivo urla oxem tuka dista?”
Hanvem ixttak urfatto prosn korun taka ulovpant sanddpachi vatt sodun kaddli.
“Tiatr pollevpiank tiatr pollevpa xivay
anik koslo-i upay aslolo zalear, az meren tiatr jivo urcho naslo! Mhonntoch,
faleam toso ek upay nirmann zalozalear-ui, tiatr pollevpi khuinchech
poristhitint tiatra pasun pois veche nhoi mhonn tiatramni sogllea angamni apli bazu
ghott korunk naka asli? Ti keloli disonam hich mhoji khont asa. ” Mhozo ixtt
mhaka vicharam khatir ek-ekuch mud’do ditalo.
“Tunvem hi khont kednam-i tujea
avddichea tiatristank ugtaylear borem zatolem. Tankam-i te vixim chintunk ani vichar korunk boreak
poddtolem. “ Hanvem ixttak bud dili.
“Tankam toxem sanglear mannsugi asa?”
Ixttan tallo chike bodlun mhonnlem.
“Kiteak?”
“Ek pavtt tiatr polletanam, tea
tiatrachea ‘plot’-ant chuk asloli mhojea monak somzoli. Tiatr somptoch tiatrachea
borvpiak vochun te chukichi khobor
sangli. Tannem mhaka, ‘tunvem kitle
tiatr boroyleat?’ oxem vichartoch mhojea monant ek vichar yeun gelo – machier
git gayta to ‘off tune’ gayta mhonn aikotoleak kollta, tednam to aikopi git
gavpich asunk zai oxem nasta. Sarkem mum?”
“Sarkem. Punn atam xevttim vochun tujem
mhonn’nnem kitem? Tuje khatir tikett kaddum vo naka?” Ixtt tiatrak ailolo mhaka
zai aslem.
“Sanglem nhoi tuka hanvem? Mhaka atam
tiatr polleunuch disonam!” Ixtt aplea motak thir aslo.
“Tiatrantlim kantaram mat avoddtat
mhonntalo tum. Kantaram tori aikunk yo mhonntalom...” Hanvem ixttak dusre ritin
tiatrak yevpacho monounk proyotn kelo.
“Kantaram avoddtat mhaka... punn khubxe
pavtti tiatrank kantaram aikunchi umed ballgun gelam, tednam mhoje umedicher xellem
udok-ui poddlam!” Ixttan tiatrachea anik eka bhagak hat ghalo.
“Oxem kitem ghoddlam tor?”
“Jairatincher je kantaram gavpi astole
mhonn sangtat, te gavpi tiatrachea xevottak porian machier disonant. Hem tiatr
pollevpiank fottovp nhoi zalear anik kitem?” Atam mat ixttachea prosnak mhoje
kodde zap nasli. Kaim goddiobhor mhojea tonddantlean zap futtunk nam ti polleun,
ixtt fuddem kitem tori sangunk vetalo, punn tednanch mhozo fon bond poddlo.
Polle zalear, battri kabar zaloli!
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